extra=late 950s or early 960s – 1041 or later was a Japanese people waka poet and early historian who lived in the mid-Heian period. She is a member both of the Chūko Sanjūrokkasen and the Thirty-Six Immortal Women Poets.
A poetic exchange between Emon and Fujiwara no Michitaka, dating to around Ten'en 2 (974) to Jōgen 2 (977), when she was likely in her late teens, is the earliest dateable event in her life. At roughly this time, she went to serve in the household of Minamoto no Masanobu, and for a long time thereafter she served his daughter Rinshi (ja), the wife of Fujiwara no Michinaga.
It was also around this time (Ten'en–Jōgen) that she married , a Confucian scholar and poet of both waka and kanshi. They had a son, , a daughter, Gō Jijū (江侍従), and one more daughter. The couple were considered to be oshidori fūfu.
According to her personal waka collection, the Akazome Emon Shū (赤染衛門集), when Masahira was twice sent to serve in Owari Province, she accompanied him both times. The collection also indicates that she worked to ensure her son's professional success at court and presented poems as offerings to Sumiyoshi Shrine when he fell ill. The Fukuro-zōshi portrays her as gently supporting her husband when he was overwhelmed by his official duties. These works present Emon as a good wife and wise mother (良妻賢母 ryōsai kenbo). She also devoted much effort to her service as Rinshi's lady-in-waiting.
In Chōwa 1 (1012), her husband died, and a few years later Emon became a bhikkuni. She apparently lived a long and tranquil life from this point, living to see the birth of her great-grandson Ōe no Masafusa in Chōkyū 2 (1041).
Akazome Emon served Minamoto no Rinshi and Fujiwara no Shōshi, who were, respectively, the wife and daughter of Fujiwara no Michinaga, and she was present at the Imperial court at the same time as Izumi Shikibu. She was a contemporary of Murasaki Shikibu, who praised her writing, and Sei Shōnagon.
The year of her death is uncertain, but she probably lived until at least 1041.
She left a personal collection, the Akazome Emon Shū, and she is also believed to have been the writer of the first part of Eiga Monogatari. Her poetry was incorporated into court anthologies from the Shūi Wakashū on. She ranks fourth in the number of her poems that were included in the Goshūi Wakashū, with a total of 32. More than 60 of her poems were included in the Kin'yō Wakashū and later court anthologies.
In her article on Emon, Hiroko Saitō called her poetic style unexceptional.
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